



Hussein Chalayan could not be more different from Dries van Noten. The "fanciness" from this collection is in the construction not the prints. It's definitely minimalist because the most complicated prints look like window blinds. Here the black/brown rule is broken as well. You can also tell that Chalayan is toning down his work to make it more wearable. This is a long way from the robotic dress from when I first discovered him. But he's making money off Lady Gaga I'm pretty sure.




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